"What bearing have her feelings, pray?" Fleda asked. Fleda considered a moment; she was full of the impression that, notwithstanding her scant help, he saw his way clearer than he had seen it at Ricks. He might mean many things; and what if the many should mean in their turn only one? "The difficulty is, you understand, that she doesn't really see into your situation." She hesitated. "She doesn't comprehend why your marriage hasn't yet taken place."!

Fleda, at this, felt that her heroism had come to its real test—felt that in telling him the truth she should effectively raise a hand to push his impediment out of the way. Was the knowledge that such a motion would probably dispose forever of Mona capable of yielding to the conception of still giving her every chance she was entitled to? That conception was heroic, but at the same moment it reminded Fleda of the place it had held in her plan, she was also reminded of the not less urgent claim of the truth. Ah, the truth—there was a limit to the impunity with which one could juggle with it! Wasn't what she had most to remember the fact that Owen had a right to his property and that he had also her vow to stand by him in the effort to recover it? How did she stand by him if she hid from him the single way to recover it of which she was quite sure? For an instant that seemed to her the fullest of her life she debated. "Yes," she said at last, "if your marriage is really abandoned, she will give up everything she has taken." "He speaks to me of the only thing that concerns me. He gives me clear notice that he abates not one jot of his demand."

Fleda's line had been taken, her word was quite ready; on the terrace of the painted pots she broke out before her interlocutress could put a question. "His errand was perfectly simple: he came to demand that you shall pack everything straight up again and send it back as fast as the railway will carry it." Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?" At the sight of him two fresh waves passed quickly across her heart, one at the heels of the other. The first was an instant perception that this encounter was not an accident; the second a consciousness as prompt that the best place for it was the street. She knew before he told her that he had been to see her, and the next thing she knew was that he had had information from his mother. Her mind grasped these things while he said with a smile: "I saw only your back, but I was sure. I was over the way. I've been at your house."